MEMBERS' PUBLICATIONS

2019

Wes Hill’s article Close Up: The Queen and I appears in ‘Artforum’ magazine, Vol. 58 No. 2 (October, 2019): https://www.artforum.com/print/201908/wes-hill-on-vincent-namatjira-s-queen-elizabeth-and-vincent-on-country-2018-80815

Linda Jaivin’s article on Chinese-Australian artist Guo Jian appears in ‘Artist Profile’ magazine: https://www.artistprofile.com.au/in-this-issue/

Four articles by Sumagen Sivanesan:

Sivanesan, S, ‘Data Science Friction: ASUNDER (2019), Tega Brain, Julian Oliver and Bengt Sjölén at Vienna Biennale for Change 2019: Brave New Virtues. Shaping Our Digital World, 29 May–6 October’, Springerin, July 2019.

Sivanesan, S,‘Persepolis Now? A Utopian Stage at SAVVY Contemporary, Berlin’, MAP Magazine, May 2019.
https://mapmagazine.co.uk/persopolis-now

Sivanesan, S, ‘A problem of the middle class (a belated letter from São Paulo).’ un Extended, 28 March 2019.
http://unprojects.org.au/un-extended/dear-un/letter-sao-paolo/

Sivanesan, S, ‘Marking Histories’ Discontents: Frontier Imaginaries Edition No. 5, Trade Markings’, un Extended, 24 May 2018.
http://unprojects.org.au/un-extended/reviews/trade-markings/

Three articles by Richard Read:

Read, R, ‘Trajective Art Criticism: Boats (Trains, Planes) and Home in the Era of Retreat from Democracy,’ in Art Criticism in the Age of Virtuality and Democracy, papers of the 2018 AICA International Congress Taiwan (Taipei: Showwee Information Co, Ltd, 2019), pp. 63-87 + 64 colour plates.

Read, R, ‘Art and politics: a critic’s perspective on Agnes Martin and Liberate Tate,’ in TransCultural Exchange's 2018 International Conference on Opportunities in the Arts: Exploring New Horizons, ed. Mary Sherman and Ann Galligan (Delaware: Vernon Press, 2019), pp. 177-196

Read, R, ‘Opened eyes on Australian exhibition history,’ rev. of Australian Art Exhibitions: Opening our Eyes by Joanna Mendelssohn, Catherine De Lorenzo, Alison Inglis and Catherine Speck (Melbourne: Thames & Hudson, 2018), Journal of Art Historiography 20 (June 2019), pp. 1-16.

Forthcoming:

Introduction (Richard Read with Kenneth Haltman) and 'Perception, History, and Geology: The Heritage of Molyneux’s Question in Colonial Landscape Painting,' in Colonization, Wilderness and Other Spaces: c19 American and Australian Landscape Paintings, ed. Kenneth Haltman and Richard Read (Chicago: University of Chicago Press, 2019)

Three Thames & Hudson publications edited by AICA Australia President, Professor Natalie King, include:

King, N (ed.) 2019   Tracey Moffatt: My Horizon  ,   Thames & Hudson  Contributing authors include Germano Celant, Adrian Martin, Moira Roth, Susan Bright, Djon Mundine, Alexis Wright, and Romaine Moreton.

King, N (ed.) 2019 Tracey Moffatt: My Horizon, Thames & Hudson

Contributing authors include Germano Celant, Adrian Martin, Moira Roth, Susan Bright, Djon Mundine, Alexis Wright, and Romaine Moreton.

King, N (ed.) 2019   Del Kathryn Barton  ,   Thames & Hudson

King, N (ed.) 2019 Del Kathryn Barton, Thames & Hudson

King, N (ed.) 2019   Polixeni Papapetrou  ,   Thames & Hudson

King, N (ed.) 2019 Polixeni Papapetrou, Thames & Hudson

2018

Smith, D (ed.) 2018 ‘The Geoff Raby Collection of Contemporary Chinese Art’, Western Sydney University

Smith, D (ed.) 2018 ‘The Geoff Raby Collection of Contemporary Chinese Art’, Western Sydney University

2017

DANIEL PALMER   Collaboration and Photography: From Conceptual Art to Crowdsourcing  (Bloomsbury 2017).

DANIEL PALMER

Collaboration and Photography: From Conceptual Art to Crowdsourcing (Bloomsbury 2017).

2016

susan best   Reparative Aesthetics: Witnessing in Contemporary Art Photography  (Bloomsbury, 2016).

susan best

Reparative Aesthetics: Witnessing in Contemporary Art Photography (Bloomsbury, 2016).

Ian McLean   Rattling Spears: A History of Indigenous Australian Art  (Reaktion Books, 2016).

Ian McLean

Rattling Spears: A History of Indigenous Australian Art (Reaktion Books, 2016).

donna west brett   Photography and Place: Seeing and Not Seeing Germany After 1945  (Routledge 2016).

donna west brett

Photography and Place: Seeing and Not Seeing Germany After 1945 (Routledge 2016).

MARK LEDBURY  ‘Obscure, Capricious and Bizarre: Neoclassical Painting and the Choice of Subject,’ in Peter Cooke and Nina Lubbren (Eds.),  Painting and Narrative in France, from Poussin to Gauguin  (Routledge, 2016).

MARK LEDBURY

‘Obscure, Capricious and Bizarre: Neoclassical Painting and the Choice of Subject,’ in Peter Cooke and Nina Lubbren (Eds.), Painting and Narrative in France, from Poussin to Gauguin (Routledge, 2016).

CHARLES GREEN AND ANTHONY GARDNER   Biennales, Triennials and Documenta: The Exhibitions that Created Contemporary Art  (Wiley Blackwell, 2016).

CHARLES GREEN AND ANTHONY GARDNER

Biennales, Triennials and Documenta: The Exhibitions that Created Contemporary Art (Wiley Blackwell, 2016).

2015

ANTHONY BOND   The Idea of Art  (New South Press, 2015).

ANTHONY BOND

The Idea of Art (New South Press, 2015).

barry pearce   Geoff Wilson: Interrogated Landscape (Samstag Art Museum 2015) .

barry pearce

Geoff Wilson: Interrogated Landscape (Samstag Art Museum 2015).

2014-2013

JOHN CLARK, CLARE VEAL & JUDHA SU   Araya Rasdjarmrearnsook: Storytellers of the Town  (4A Centre for Contemporary Art, 2014.

JOHN CLARK, CLARE VEAL & JUDHA SU

Araya Rasdjarmrearnsook: Storytellers of the Town (4A Centre for Contemporary Art, 2014.

JOHN CLARK   Modernities of Japanese Ar t (Brill 2013)

JOHN CLARK

Modernities of Japanese Art (Brill 2013)